Trends in Arts Therapies - Part 2

Aug 19
The creative arts therapies are undergoing changes that go deeper than the arrival of new techniques or mimicking trends from other, related mental health professions.. Across art therapy, music therapy, dance/movement therapy, drama therapy, and expressive arts therapies, we are seeing a reconsideration of what constitutes therapeutic knowledge, how change happens, and how much the therapist should adapt the therapeutic environment to the person rather than the person to the therapy.

3. Neurodiversity: From "Correcting" the Person to Adapting the Therapeutic Space

The growth of neurodiversity-affirming or neuro-affirming practice may ultimately have a greater impact on creative arts therapies than simply adding another specialization to professional training. Its significance lies in the fact that it challenges some of the assumptions underneath therapy itself.

Historically, interventions with autistic and other neurodivergent people have often measured improvement according to neurotypical expectations: increased eye contact, more conventional social behaviour, reduced repetitive behaviour, greater tolerance of particular sensory environments, or communication that resembles normative communication. Neurodiversity scholarship has increasingly challenged these deficit-based frameworks and called for approaches that respect autistic ways of communicating, sensing, moving, and relating (Lerner et al., 2023; Mathur et al., 2024). ([PubMed Central (PMC)][1])

Neurodiversity-affirming practice changes the starting question. Instead of: “How can we help this person function more normally?” it asks: “What does meaningful participation, communication, regulation, connection, and wellbeing look like for this person?”

This shift is increasingly reflected in research priorities. A recent study examining goals and outcomes in autism found that the neurodiversity paradigm redirects attention away from normalization and toward autonomy, adaptive functioning, quality of life, and wellbeing (Jordan et al., 2026).

The National Autistic Society describes neuroaffirmative practice explicitly as a movement away from viewing autistic behaviours and ways of being as inherently problematic. Instead, it emphasizes agency, autonomy, flexible communication, accommodations, respect for different communication styles, and the adaptation of environments and expectations to the individual (Edgar & Adkin, 2025). The organization also stresses that neuroaffirmative practice does not mean ignoring disability or support needs; rather, support should be individualized and autism-specific instead of based on an assumption that all autistic people need the same form of intervention. ([National Autistic Society][4])

That has particularly important implications for creative arts therapists.

Art, music, movement, drama, rhythm, gesture, and sensory materials already provide **multiple channels of communication that do not depend exclusively on spoken language**. Music-based interventions, for example, can engage emotional, cognitive, and social processes while drawing on areas of relative strength and interest for some autistic people; current research increasingly emphasizes individual variability rather than assuming a uniform therapeutic response (Navarro et al., 2025). ([Frontiers][5])

But neurodiversity-affirming practice asks creative arts therapists to go further than simply offering a nonverbal modality. It asks us to reconsider **the therapeutic environment itself**.

Lighting, acoustics, the sensory properties of materials, transitions, pacing, movement, predictability, expectations around participation, and access to different forms of communication may all influence whether a person is actually able to engage. Research and practice literature increasingly emphasize individualized sensory accommodations and flexible environments rather than expecting neurodivergent people to tolerate settings designed around neurotypical sensory norms (Cobbaert et al., 2024; Pavlopoulou et al., 2025). ([PubMed Central (PMC)][6])

This can also change how therapists interpret behaviour. Repeated movement, sound, mark-making, or engagement with a preferred image or theme may not necessarily be something to extinguish or move beyond. Repetitive movement, including stimming, may function as self-regulation, communication, pleasure, or expression (National Autistic Society, n.d.).  Within an arts therapy context, repetition may similarly become a meaningful creative language rather than evidence that the client is “stuck.”

The same shift applies to communication. Contemporary research with autistic adults increasingly emphasizes that autistic communication should not be evaluated solely against neurotypical conversational standards, and that clinicians need to recognize different forms of reciprocity, expression, and social connection (de Marchena et al., 2025). 

For creative arts therapists, this raises a particularly interesting possibility: the arts may not simply provide alternative techniques for neurodivergent people; they may provide alternative epistemologies of communication. A drawing, rhythm, gesture, movement pattern, repeated form, or sensory choice can convey knowledge about a person's internal experience without requiring that experience to first be translated into conventional speech.

This aligns with a broader principle emerging in neurodiversity-affirming healthcare: the neurodivergent person's lived experience becomes a source of knowledge rather than merely the object of professional assessment. Reviews of neurodiversity-informed healthcare increasingly call for greater involvement of neurodivergent people in shaping interventions, services, and research itself (Gray et al., 2025). 

The deeper change, therefore, is not simply that arts therapists are learning more about autism or ADHD. It is a shift in therapeutic position: from correcting difference toward creating conditions in which difference can be understood, expressed, supported, and valued.

Key References

Edgar, H., & Adkin, T. (2025). *Embracing neurodiversity affirmative practice: A path to inclusive support for autistic people*. National Autistic Society. 
Lerner, M. D., et al. (2023). A framework for neurodiversity-affirming interventions for autism. 
Mathur, S. K., et al. (2024). Affirming neurodiversity within applied behavior analysis. 
de Marchena, A., et al. (2025). Communication in autistic adults: An action-focused review. 
Gray, L., et al. (2025). Navigating neurodivergence: A scoping review to guide health practice. 
Jordan, P., et al. (2026). Priorities and perspectives regarding goals and outcomes of interventions for autistic people. 

4. Embodied, Somatic, and Sensory-Regulation Approaches

One of the clearest developments in the creative arts therapies is a growing emphasis on embodied experience. This is no longer simply about adding movement or body-awareness exercises. Recent literature increasingly brings together interoception, sensory processing, autonomic regulation, mindfulness, embodied attention, and relational attunement across dance/movement therapy, art therapy, and multimodal creative practice (Bokoch et al., 2025).

A particularly important shift is the growing attention to interoception—awareness of internal bodily signals such as breath, tension, activation, comfort, and emotional shifts (Lanius et al., 2025). Creative processes can support this awareness indirectly through movement, rhythm, texture, pressure, sound, gesture, and material engagement, without requiring immediate verbal interpretation. Mindfulness is also becoming more embodied, integrated into movement and art-making rather than treated only as a separate meditation practice (Zafeiroudi et al., 2025).

Trauma-informed practice has added another important dimension: body awareness is not automatically regulating. For some people, inward attention, movement, or sensory intensity may increase distress. As a result, embodied approaches increasingly emphasize choice, pacing, predictability, resourcing, sensory preference, and somatic safety (Pelixo et al., 2025). This also connects strongly with neurodiversity-affirming practice, where sensory regulation must be individualized.

Another shift is from asking only “What does the artwork mean?” toward asking “What is the creative process doing to the person’s state while it is happening?” Rhythm, repetition, tactile resistance, movement, sound, and coordinated action may contribute to emotional and physiological regulation before any symbolic interpretation occurs. Recent work on mechanisms of change in creative arts therapies increasingly identifies regulation as a central pathway (van Hooren et al., 2026).

Embodiment is also increasingly understood as relational, involving co-regulation, rhythm, proximity, gesture, and shared creative experience rather than occurring only inside the individual. The recent volume "The Embodied Art Therapist: Theory and Practice for a New Paradigm" reflects this wider turn toward embodied and sensory-informed art therapy practice (de Béthune, Linhardt, & Koutmina, 2026).

The broader trend, therefore, is not simply the rise of “somatic techniques,” but a movement toward creative arts therapies as embodied, sensory, relational, and regulatory practices, with growing attention to mindfulness, interoception, and the conditions necessary for somatic safety.

Key References

Bokoch, R., et al. (2025). A scoping review of integrated arts therapies and neuroscience research. Frontiers in Psychology, 16, 1569609.

de Béthune, M., Linhardt, K., & Koutmina, V. (2026). The embodied art therapist: Theory and practice for a new paradigm. Routledge.

Lanius, R. A., Harricharan, S., Kearney, B. E., Pandev, A., & Girard, T. A. (2025). Sensory Pathways to Healing from Trauma: Harnessing the Brain’s Capacity for Change. Guilford Press.

Pelixo, P., Veiga, G., Pereira, A., & Santos, G. D. (2025). Body and movement-oriented interventions in adolescents’ trauma: A scoping review. European Journal of Psychotraumatology, 16(1), 2524901. https://doi.org/10.1080/20008066.2025.2524901

van Hooren, S., Abbing, A., & Waterink, W. (2026). Active elements, effects, and working mechanisms of creative arts therapies in forensic psychiatric care: A realist review. Frontiers in Psychiatry, 16, 1745054.

Zafeiroudi, A., Tsartsapakis, I., Trigonis, I., Kouli, O., Goulimaris, D., & Kouthouris, C. (2025). Embodied mindfulness through movement: A scoping review of dance-based interventions for mental well-being in recreational populations. Healthcare, 13(17), 2230. https://doi.org/10.3390/healthcare13172230
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